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She is also a professional director of many years experience. In recent years she has twice directed a comedy by Brome with graduating students on the acting course, one of which was also performed in England. Whilst it is true that your command of dramatic structure is that of a fledgling, I am pleased to say that I found it a compelling read, which I finished in one sitting.
The characters that you have gathered around your hero Crasy are truly vile in an excellent variety of ways, whether their lust, vanity or venality is on show. Australian audiences are bound to find him appealing, loving as they do cutting down tall poppies and rooting for the underdog. Crasy is obviously the underdog, but you leave it open as to the identity of the city wit- am I right in guessing that this is Jeremy?
I found myself compelled by the strength of the writing for the women characters in this play, despite the fact that they exhibit mostly negative aspects. I guess this is the fun of it! You must have some great actors in your company. I would like to discuss cross gender casting with you, since I do not have many boys. Please ring me to arrange a lunch appointment.
Yours sincerely, Kim Durban. Ballarat, where I live, is a regional town which made its wealth in the gold rush of the s. A gold venture is still in operation and may lead to future wealth, but the boom is long over.
Brome sets his play in a town obsessed with gaining gold, and despite the intervening centuries, his sharply drawn characters such as a jeweller, a tutor and a merchant are redolent of our times. However, my interest was not in mounting a historically accurate performance, but rather something tailored for the present.