Sculpture Line will cross the border of the metropolis and will lead to about ten cities throughout the country this year. The sculpture is a composition of an arc of a circle and a triangle. Both elements do not touch each other at all, but they appear to be perfectly well-balanced and harmonic. As the sculpture can open a wide sculptural space, it needs a bigger place to be presented adequately.
In my mind, music and sculpture can develop a very special relationship. Common to them are the rhythm and the emptiness, the void. This emptiness is in the music as the silence between the tones, in the sculpture it is the empty space between the forms. It is this emptiness that forms the rhythm in sculptures as well as in the music. Both types of art share also the dynamics: the change between the extremes as the loud and the quiet, the fast and the slow, or the powerful and the delicate and fragile.
In my big sculpture I tried to transcript the music of the Waltz A-minor from Frederic Chopin into my sculptural language. Of course, far away from the categories of right or wrong, this is a very personal interpretation.
Everyone can feel free to do his own interpretation. Listening to this particular music, first I feel the circular movement of a waltz changing its sped permanently, so I translated this circular dynamic into the composition of my sculpture. Then I tried to capture the specific changes in speed, the dynamic differences in volume and the extreme changes between mightiness and fragility.
If you want, you will feel in the circular composition your own dynamics of the empty spaces between the forms as active part of this composition. In other words, 3D spatial technology and 3D scanning, which enable him to create the most complex structural objects that are virtually unrealizable without these methods.
